Category: teaching

Perception of color- Masterclass

‘Perception of color’ is an interactive (collectively processed) lecture or lecture series that I
have created in my four-years research project ‘Reflecting light’ (2021-2025), part of which
was teaching students of the KASK theatre and arts school in Ghent.


I usually use a beamer with a simple sound system and 4 fresnels on a grand stand,
operated from a simple 4-channel mixer for live experiments. It can take different shapes
but so far the total running time of minimum 4 hours was needed for the frame my slides
outline.
The workshop is useful for people in the visual domain, may them be lighting designers,
technicians, visual artists, choreographers, directors, installation artists, students, etc. , but
it can be interesting to anyone who tend to think about what is it they are looking at when
they are looking at something. (People with non-normative perception are warmly welcome)
I relate to the lecture from my empirical engagement with color use from visual arts and
staged arts, and this is where the experiments are coming from.
The philosophical backbone is Arthur Schopenhauer’s book ‘On vision and color’ that has
been reflecting upon Goethe’s magnum opus on color, and simplifies the vision of color as
a result of one’s preconceptions about what is being seen, the perceptive organ and its act
of perception, and the object being observed.
Some very graspable exercises to test theory directly by the spectator are coming from the
late Josef Albers’ book Interaction of color.

(Vincent van Gogh- Wheat field with crows)


Throughout the lecture one can understand culturally and in terms of self-development, the
language and thoughts elaborated upon color and how that can contribute to methods of
looking. One can experience the vulnerability of one’s own visual apparatus and the

potential in being in touch with that vulnerability.
One can appreciate paintings and textile arts nested in different cultural heritages, and
how they create an impression on their viewer from an analytical viewpoint.
The goal of the workshop is to give participants a toolbox in asking themselves essential
questions from a visual point of view and inform their practice of looking.

Light and performance

This workshop is to encourage dancers, choreographers and performers to bring their practice with real time performance towards a meaningful collaboration with light designer.  Real time performance is a challenging art-form. When it is dealt with sincerely, inclusive of light design, real time performance elevates the live theater to it’s highest potential. This demands from the performers a high level of openness and collaborative capabilities, and an increased capability of decision-making. Such high exposure of presence cannot be accompanied with a mediocre staging. It is necessary to include stage lighting as a potent and equal element of play. This workshop will include discussions with Katie Duck and myself about language and technical options with light design, alongside session work in the theater with light design. In these sessions, can take opportunity to place our practice viewing from the public view point, sitting with me on the board and in physical creations with light in the theater space. Feedback and discussions will revolve around shifts, effects and tension that are interactive between light, body, performance.

April 8 and 9 2017 (Saturday and Sunday) 11:00-15:00. Dock 11

€120 Two days, €70 One day. Register: katie@katieduck.com

More information on Katie Duck’s site

 

Performing: Space 2

This five-days practical workshop provides a tool to deal with the multimedia aspect of dance and movement theatre conceptually, and in realisation of a piece. During the week, the performing space will be examined through creative movement tasks, with special attention to how many ways the use of light and music can be invested to the advantage of a creation of set or improvisative performances. The compositional focus of the work makes the deep analysis of the architectural, sonic and emotional aspects of space possible. The awareness from this study can be then applied in one’s own performing practices.
The workshop closes with an informal showing at Studio laborgras.

When: 24-28. October 2016 / 14-17h
Where: Studio laborgras / Paul-Lincke-Ufer 44A 10999 Berlin
Price: 110 € / 95 € for early birds
Contact: info@emesecsornai.com

Presentation: 29. October (Saturday) 19h

PerformingSpaceFrontside